Steve deLuque worked out the perspective in 'Falling for Love No. 2' entirely in his head before he began painting, with no preliminary sketch.
Steve deLuque worked out the perspective in 'Falling for Love No. 2' entirely in his head before he began painting, with no preliminary sketch.
Steve deLuque worked out the perspective in 'Falling for Love No. 2' entirely in his head before he began painting, with no preliminary sketch.

Making up for lost time

January 17, 2011 07:42 AM